Bill Keith passed away, too soon. I remember back in the 70's he created a sensation in bluegrass circles by using the fifth string in a way that had never been done before. It used to be that the fifth string was almost never fretted and used mainly as a drone string to keep the rhythm going. But Bill decided to play way up on the neck of the banjo and use the fifth string to carry the melody as well as chromatic runs up and down the scales. Eventually the "chromatic" or "melodic" style (or "Keith" style) came to recognized as its own style, different from the Old Time that we play in West Virginia or the Scruggs style played in Kentucky Bluegrass. The first time I heard Keith style banjo played was at Jd LaBash's music store in Berea Ohio. I was awed by Devils Dream and other songs and I even learned to play a few songs.
Bill influenced an entire generation of banjo players. I never met him, but from all I have heard he was modest and unassuming despite the fact that he was idolized as a folk icon.
Bill influenced an entire generation of banjo players. I never met him, but from all I have heard he was modest and unassuming despite the fact that he was idolized as a folk icon.
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